The «Canary» Murder Case / Смерть Канарейки. Книга для чтения на английском языке

“Stubborn?” repeated Feathergill lugubriously. “It’s downright impervious. Heath is spinning round like a turbine. He was called off the Boyle case, by the way, to devote his talents to this new shocker. Inspector Moran arrived ten minutes ago, and gave him the official imprimatur.”

“Well, Heath’s a good man,” declared Markham. “We’ll work it out. … Which is the apartment?”

Feathergill led the way to a door at the rear of the main hall.

“Here you are, sir,” he announced. “I’ll be running along now. I need sleep. Good luck!” And he was gone.

It will be necessary to give a brief description of the house and its interior arrangement, for the somewhat peculiar structure of the building played a vital part in the seemingly insoluble problem posed by the murder.

The house, which was a four-story stone structure originally built as a residence, had been remodelled, both inside and outside, to meet the requirements of an exclusive individual apartment dwelling. There were, I believe, three or four separate suites on each floor; but the quarters up-stairs need not concern us. The main floor was the scene of the crime, and here there were three apartments and a dentist’s office.

The main entrance to the building was directly on the street, and extending straight back from the front door was a wide hallway. Directly at the rear of this hallway, and facing the entrance, was the door to the Odell apartment, which bore the numeral “3.” About half-way down the front hall, on the right-hand side, was the stairway leading to the floors above; and directly beyond the stairway, also on the right, was a small reception-room with a wide archway instead of a door. Directly opposite to the stairway, in a small recess, stood the telephone switchboard. There was no elevator in the house.

Another important feature of this ground-floor plan was a small passageway at the rear of the main hall and at right angles to it, which led past the front walls of the Odell apartment to a door opening on a court at the west side of the building. This court was connected with the street by an alley four feet wide.

In the accompanying diagram this arrangement of the ground floor can be easily visualized, and I suggest that the reader fix it in his mind; for I doubt if ever before so simple and obvious an architectural design played such an important part in a criminal mystery. By its very simplicity and almost conventional familiarity—indeed, by its total lack of any puzzling complications—it proved so baffling to the investigators that the case threatened, for many days, to remain forever insoluble.

As Markham entered the Odell apartment that morning Sergeant Ernest Heath came forward at once and extended his hand. A look of relief passed over his broad, pugnacious features; and it was obvious that the animosity and rivalry which always exist between the Detective Division and the District Attorney’s office during the investigation of any criminal case had no place in his attitude on this occasion.

“I’m glad you’ve come, sir,” he said; and meant it.

He then turned to Vance with a cordial smile, and held out his hand.[20 - Heath had become acquainted with Vance during the investigation of the Benson murder case two months previously.]

“So the amachoor sleuth is with us again!” His tone held a friendly banter.

“Oh, quite,” murmured Vance. “How’s your induction coil working this beautiful September morning, Sergeant?”

“I’d hate to tell you!” Then Heath’s face grew suddenly grave, and he turned to Markham. “It’s a raw deal, sir. Why in hell couldn’t they have picked some one besides the Canary for their dirty work? There’s plenty of Janes on Broadway who coulda faded from the picture without causing a second alarm; but they gotta go and bump off the Queen of Sheba!”

As he spoke, William M. Moran, the commanding officer of the Detective Bureau, came into the little foyer and performed the usual hand-shaking ceremony. Though he had met Vance and me but once before, and then casually, he remembered us both and addressed us courteously by name.

“Your arrival,” he said to Markham, in a well-bred, modulated voice, “is very welcome. Sergeant Heath will give you what preliminary information you want. I’m still pretty much in the dark myself—only just arrived.”

“A lot of information I’ve got to give,” grumbled Heath, as he led the way into the living-room.

Margaret Odell’s apartment was a suite of two fairly large rooms connected by a wide archway draped with heavy damask porti?res. The entrance door from the main hall of the building led into a small rectangular foyer about eight feet long and four feet deep, with double Venetian-glass doors opening into the main room beyond. There was no other entrance to the apartment, and the bedroom could be reached only through the archway from the living-room.

There was a large davenport, covered with brocaded silk, in front of the fireplace in the left-hand wall of the living-room, with a long narrow library-table of inlaid rosewood extending along its back. On the opposite wall, between the foyer and the archway into the bedroom, hung a triplicate Marie Antoinette mirror, beneath which stood a mahogany gate-legged table. On the far side of the archway, near the large oriel window, was a baby grand Steinway piano with a beautifully designed and decorated case of Louis-Seize ornamentation. In the corner to the right of the fireplace was a spindle-legged escritoire and a square hand-painted waste-paper basket of vellum. To the left of the fireplace stood one of the loveliest Boule cabinets I have ever seen. Several excellent reproductions of Boucher, Fragonard, and Watteau hung about the walls. The bedroom contained a chest of drawers, a dressing-table, and several gold-leaf chairs. The whole apartment seemed eminently in keeping with the Canary’s fragile and evanescent personality.

As we stepped from the little foyer into the living-room and stood for a moment looking about, a scene bordering on wreckage met our eyes. The rooms had apparently been ransacked by some one in a frenzy of haste, and the disorder of the place was appalling.

“They didn’t exactly do the job in dainty fashion,” remarked Inspector Moran.

“I suppose we oughta be grateful they didn’t blow the joint up with dynamite,” returned Heath acridly.

But it was not the general disorder that most attracted us. Our gaze was almost immediately drawn and held by the body of the dead girl, which rested in an unnatural, semi-recumbent attitude in the corner of the davenport nearest to where we stood. Her head was turned backward, as if by force, over the silken tufted upholstery; and her hair had come unfastened and lay beneath her head and over her bare shoulder like a frozen cataract of liquid gold. Her face, in violent death, was distorted and unlovely. Her skin was discolored; her eyes were staring; her mouth was open, and her lips were drawn back. Her neck, on either side of the thyroid cartilage, showed ugly dark bruises. She was dressed in a flimsy evening gown of black Chantilly lace over cream-colored chiffon, and across the arm of the davenport had been thrown an evening cape of cloth-of-gold trimmed with ermine.

There were evidences of her ineffectual struggle with the person who had strangled her. Besides the dishevelled condition of her hair, one of the shoulder-straps of her gown had been severed, and there was a long rent in the fine lace across her breast. A small corsage of artificial orchids had been torn from her bodice, and lay crumpled in her lap. One satin slipper had fallen off, and her right knee was twisted inward on the seat of the davenport, as if she had sought to lift herself out of the suffocating clutches of her antagonist. Her fingers were still flexed, no doubt as they had been at the moment of her capitulation to death, when she had relinquished her grip upon the murderer’s wrists.

The spell of horror cast over us by the sight of the tortured body was broken by the matter-of-fact tones of Heath.

“You see, Mr. Markham, she was evidently sitting in the corner of this settee when she was grabbed suddenly from behind.”

Markham nodded. “It must have taken a pretty strong man to strangle her so easily.”

“I’ll say!” agreed Heath. He bent over and pointed to the girl’s fingers, on which showed several abrasions. “They stripped her rings off, too; and they didn’t go about it gentle, either.” Then he indicated a segment of fine platinum chain, set with tiny pearls, which hung over one of her shoulders. “And they grabbed whatever it was hanging round her neck, and broke the chain doing it. They weren’t overlooking anything, or losing any time. … A swell, gentlemanly job. Nice and refined.”

“Where’s the Medical Examiner?” asked Markham.

“He’s coming,” Heath told him. “You can’t get Doc Doremus to go anywheres without his breakfast.”

“He may find something else—something that doesn’t show.”

“There’s plenty showing for me,” declared Heath. “Look at this apartment. It wouldn’t be much worse if a Kansas cyclone had struck it.”

We turned from the depressing spectacle of the dead girl and moved toward the centre of the room.

“Be careful not to touch anything, Mr. Markham,” warned Heath. “I’ve sent for the finger-print experts—they’ll be here any minute now.”

Vance looked up in mock astonishment.

“Finger-prints? You don’t say—really! How delightful!—Imagine a johnnie in this enlightened day leaving his finger-prints for you to find.”

“All crooks aren’t clever, Mr. Vance,” declared Heath combatively.

“Oh, dear, no! They’d never be apprehended if they were. But, after all, Sergeant, even an authentic finger-print merely means that the person who made it was dallying around at some time or other. It doesn’t indicate guilt.”

“Maybe so,” conceded Heath doggedly. “But I’m here to tell you that if I get any good honest-to-God finger-prints outa this devastated area, it’s not going so easy with the bird that made ’em.”

Vance appeared to be shocked. “You positively terrify me, Sergeant. Henceforth I shall adopt mittens as a permanent addition to my attire. I’m always handling the furniture and the teacups and the various knickknacks in the houses where I call, don’t y’ know.”

Markham interposed himself at this point, and suggested they make a tour of inspection while waiting for the Medical Examiner.

“They didn’t add anything much to the usual methods,” Heath pointed out. “Killed the girl, and then ripped things wide open.”

The two rooms had apparently been thoroughly ransacked. Clothes and various articles were strewn about the floor. The doors of both clothes-closets (there was one in each room) were open, and to judge from the chaos in the bedroom closet, it had been hurriedly searched; although the closet off of the living-room, which was given over to the storage of infrequently used items, appeared to have been ignored. The drawers of the dressing-table and chest had been partly emptied on to the floor, and the bedclothes had been snatched away and the mattress turned back. Two chairs and a small occasional table were upset; several vases were broken, as if they had been searched and then thrown down in the wrath of disappointment; and the Marie Antoinette mirror had been broken. The escritoire was open, and its pigeonholes had been emptied in a jumbled pile upon the blotter. The doors of the Boule cabinet swung wide, and inside there was the same confusion of contents that marked the interior of the escritoire. The bronze-and-porcelain lamp on the end of the library-table was lying on its side, its satin shade torn where it had struck the sharp corner of a silver bonbonni?re[21 - bonbonni?re (фр.) – бонбоньерка, коробочка для конфет].

Two objects in the general disarray particularly attracted my attention—a black metal document-box of the kind purchasable at any stationery store, and a large jewel-case of sheet steel with a circular inset lock. The latter of these objects was destined to play a curious and sinister part in the investigation to follow.

The document-box, which was now empty, had been placed on the library-table, next to the overturned lamp. Its lid was thrown back, and the key was still in the lock. In all the litter and disorganization of the room, this box seemed to be the one outstanding indication of calm and orderly activity on the part of the wrecker.

The jewel-case, on the other hand, had been violently wrenched open. It sat on the dressing-table in the bedroom, dinted and twisted out of shape by the terrific leverage that had been necessary to force it, and beside it lay a brass-handled, cast-iron poker which had evidently been brought from the living-room and used as a makeshift chisel with which to prize open the lock.

Vance had glanced but casually at the different objects in the rooms as we made our rounds, but when he came to the dressing-table, he paused abruptly. Taking out his monocle, he adjusted it carefully, and leaned over the broken jewel-case.

“Most extr’ordin’ry!” he murmured, tapping the edge of the lid with his gold pencil. “What do you make of that, Sergeant?”

Heath had been eyeing Vance with narrowed lids as the latter bent over the dressing-table.