On The Stage-And Off

That was written on Tuesday. On Saturday we came to the theater at twelve for treasury. The Captain was not there. He had gone that morning to pay a visit to Sir somebody or other, one of the neighboring gentry, who was a great friend of his, and he had not yet returned. He would be back by the evening – so the courteous acting manager assured us – and treasury would take place after the performance.

So in the evening, when the performance was over, we all assembled on the stage, and waited. We waited about ten minutes, and then our Heavy Man, who had gone across the way to get a glass before they shut up, came back with a scared face to say that he’d just seen the booking clerk from the station, who had told him that the “Captain” had left for London by an early train that morning. And no sooner had the Heavy Man made this announcement, than it occurred to the call boy that he had seen the courteous acting manager leave the theater immediately after the play had begun, carrying a small black bag.

I went back to the dressing-room, gathered my things into a bundle, and came down again with it. The others were standing about the stage, talking low, with a weary, listless air. I passed through them without a word, and reached the stage door. It was one of those doors that shut with a spring. I pulled it open, and held it back with my foot, while I stood there on the threshold for a moment, looking out at the night. Then I turned my coat collar up, and stepped into the street: the stage door closed behind me with a bang and a click, and I have never opened another one since.

THE END

notes

1

My friends deny this. They say I never became an actor. I say I did, and I think I ought to know.