Cousin Pons

Any man less absorbed in his contentment, any man of the world, any distrustful nature would have watched the President’s wife and daughter very narrowly on this first return to the house. But the poor musician was a child, he had all the simplicity of an artist, believing in goodness as he believed in beauty; so he was delighted when Cecile and her mother made much of him. After all the vaudevilles, tragedies, and comedies which had been played under the worthy man’s eyes for twelve long years, he could not detect the insincerity and grimaces of social comedy, no doubt because he had seen too much of it. Any one who goes into society in Paris, and knows the type of woman, dried up, body and soul, by a burning thirst for social position, and a fierce desire to be thought virtuous, any one familiar with the sham piety and the domineering character of a woman whose word is law in her own house, may imagine the lurking hatred she bore this husband’s cousin whom she had wronged.

All the demonstrative friendliness of mother and daughter was lined with a formidable longing for revenge, evidently postponed. For the first time in Amelie de Marville’s life she had been put in the wrong, and that in the sight of the husband over whom she tyrannized; and not only so – she was obliged to be amiable to the author of her defeat! You can scarcely find a match for this position save in the hypocritical dramas which are sometimes kept up for years in the sacred college of cardinals, or in chapters of certain religious orders.

At three o’clock, when the President came back from the law-courts, Pons had scarcely made an end of the marvelous history of his acquaintance, M. Frederic Brunner. Cecile had gone straight to the point. She wanted to know how Frederic Brunner was dressed, how he looked, his height and figure, the color of his hair and eyes; and when she had conjectured a distinguished air for Frederic, she admired his generosity of character.

“Think of his giving five hundred thousand francs to his companion in misfortune! Oh! mamma, I shall have a carriage and a box at the Italiens – ” Cecile grew almost pretty as she thought that all her mother’s ambitions for her were about to be realized, that the hopes which had almost left her were to come to something after all.

As for the Presidente, all that she said was, “My dear little girl, you may perhaps be married within the fortnight.”

All mothers with daughters of three-and-twenty address them as “little girl.”

“Still,” added the President, “in any case, we must have time to make inquiries; never will I give my daughter to just anybody – ”

“As to inquiries,” said Pons, “Berthier is drawing up the deeds. As to the young man himself, my dear cousin, you remember what you told me? Well, he is quite forty years old; he is bald. He wishes to find in family life a haven after a storm; I did not dissuade him; every man has his tastes – ”

“One reason the more for a personal interview,” returned the President. “I am not going to give my daughter to a valetudinarian.”

“Very good, cousin, you shall see my suitor in five days if you like; for, with your views, a single interview would be enough” – (Cecile and her mother signified their rapture) – “Frederic is decidedly a distinguished amateur; he begged me to allow him to see my little collection at his leisure. You have never seen my pictures and curiosities; come and see them,” he continued, looking at his relatives. “You can come simply as two ladies, brought by my friend Schmucke, and make M. Brunner’s acquaintance without betraying yourselves. Frederic need not in the least know who you are.”

“Admirable!” cried the President.

The attention they paid to the once scorned parasite may be left to the imagination! Poor Pons that day became the Presidente’s cousin. The happy mother drowned her dislike in floods of joy; her looks, her smiles, her words sent the old man into ecstasies over the good that he had done, over the future that he saw by glimpses. Was he not sure to find dinners such as yesterday’s banquet over the signing of the contract, multiplied indefinitely by three, in the houses of Brunner, Schwab, and Graff? He saw before him a land of plenty – a vie de cocagne, a miraculous succession of plats couverts, of delicate surprise dishes, of exquisite wines.

“If Cousin Pons brings this through,” said the President, addressing his wife after Pons had departed, “we ought to settle an income upon him equal to his salary at the theatre.”

“Certainly,” said the lady; and Cecile was informed that if the proposed suitor found favor in her eyes, she must undertake to induce the old musician to accept a munificence in such bad taste.

Next day the President went to Berthier. He was anxious to make sure of M. Frederic Brunner’s financial position. Berthier, forewarned by Mme. de Marville, had asked his new client Schwab to come. Schwab the banker was dazzled by the prospect of such a match for his friend (everybody knows how deeply a German venerates social distinctions, so much so, that in Germany a wife takes her husband’s (official) title, and is the Frau General, the Frau Rath, and so forth) – Schwab therefore was as accommodating as a collector who imagines that he is cheating a dealer.

“In the first place,” said Cecile’s father, “as I shall make over my estate of Marville to my daughter, I should wish the contract to be drawn up on the dotal system. In that case, M. Brunner would invest a million francs in land to increase the estate, and by settling the land on his wife he would secure her and his children from any share in the liabilities of the bank.”

Berthier stroked his chin. “He is coming on well, is M. le President,” thought he.

When the dotal system had been explained to Schwab, he seemed much inclined that way for his friend. He had heard Fritz say that he wished to find some way of insuring himself against another lapse into poverty.

“There is a farm and pasture land worth twelve hundred thousand francs in the market at this moment,” remarked the President.

“If we take up shares in the Bank of France to the amount of a million francs, that will be quite enough to guarantee our account,” said Schwab. “Fritz does not want to invest more than two million francs in business; he will do as you wish, I am sure, M. le President.”

The President’s wife and daughter were almost wild with joy when he brought home this news. Never, surely, did so rich a capture swim so complacently into the nets of matrimony.

“You will be Mme. Brunner de Marville,” said the parent, addressing his child; “I will obtain permission for your husband to add the name to his, and afterwards he can take out letters of naturalization. If I should be a peer of France some day, he will succeed me!”

The five days were spent by Mme. de Marville in preparations. On the great day she dressed Cecile herself, taking as much pains as the admiral of the British fleet takes over the dressing of the pleasure yacht for Her Majesty of England when she takes a trip to Germany.

Pons and Schmucke, on their side, cleaned, swept, and dusted Pons’ museum rooms and furniture with the agility of sailors cleaning down a man-of-war. There was not a speck of dust on the carved wood; not an inch of brass but it glistened. The glasses over the pastels obscured nothing of the work of Latour, Greuze, and Liotard (illustrious painter of The Chocolate Girl), miracles of an art, alas! so fugitive. The inimitable lustre of Florentine bronze took all the varying hues of the light; the painted glass glowed with color. Every line shone out brilliantly, every object threw in its phrase in a harmony of masterpieces arranged by two musicians – both of whom alike had attained to be poets.

With a tact which avoided the difficulties of a late appearance on the scene of action, the women were the first to arrive; they wished to be on their own ground. Pons introduced his friend Schmucke, who seemed to his fair visitors to be an idiot; their heads were so full of the eligible gentleman with the four millions of francs, that they paid but little attention to the worthy Pons’ dissertations upon matters of which they were completely ignorant.

They looked with indifferent eyes at Petitot’s enamels, spaced over crimson velvet, set in three frames of marvelous workmanship. Flowers by Van Huysum, David, and Heim; butterflies painted by Abraham Mignon; Van Eycks, undoubted Cranachs and Albrecht Durers; the Giorgione, the Sebastian del Piombo; Backhuijzen, Hobbema, Gericault, the rarities of painting – none of these things so much as aroused their curiosity; they were waiting for the sun to arise and shine upon these treasures. Still, they were surprised by the beauty of some of the Etruscan trinkets and the solid value of the snuff-boxes, and out of politeness they went into ecstasies over some Florentine bronzes which they held in their hands when Mme. Cibot announced M. Brunner! They did not turn; they took advantage of a superb Venetian mirror framed in huge masses of carved ebony to scan this phoenix of eligible young men.

Frederic, forewarned by Wilhelm, had made the most of the little hair that remained to him. He wore a neat pair of trousers, a soft shade of some dark color, a silk waistcoat of superlative elegance and the very newest cut, a shirt with open-work, its linen hand-woven by a Friesland woman, and a blue-and-white cravat. His watch chain, like the head of his cane, came from Messrs. Florent and Chanor; and the coat, cut by old Graff himself, was of the very finest cloth. The Suede gloves proclaimed the man who had run through his mother’s fortune. You could have seen the banker’s neat little brougham and pair of horses mirrored in the surface of his speckless varnished boots, even if two pairs of sharp ears had not already caught the sound of wheels outside in the Rue de Normandie.

When the prodigal of twenty years is a kind of chrysalis from which a banker emerges at the age of forty, the said banker is usually an observer of human nature; and so much the more shrewd if, as in Brunner’s case, he understands how to turn his German simplicity to good account. He had assumed for the occasion the abstracted air of a man who is hesitating between family life and the dissipations of bachelorhood. This expression in a Frenchified German seemed to Cecile to be in the highest degree romantic; the descendant of the Virlaz was a second Werther in her eyes – where is the girl who will not allow herself to weave a little novel about her marriage? Cecile thought herself the happiest of women when Brunner, looking round at the magnificent works of art so patiently collected during forty years, waxed enthusiastic, and Pons, to his no small satisfaction, found an appreciative admirer of his treasures for the first time in his life.

“He is poetical,” the young lady said to herself; “he sees millions in the things. A poet is a man that cannot count and leaves his wife to look after his money – an easy man to manage and amuse with trifles.”

Every pane in the two windows was a square of Swiss painted glass; the least of them was worth a thousand francs; and Pons possessed sixteen of these unrivaled works of art for which amateurs seek so eagerly nowadays. In 1815 the panes could be bought for six or ten francs apiece. The value of the glorious collection of pictures, flawless great works, authentic, untouched since they left the master’s hands, could only be proved in the fiery furnace of a saleroom. Not a picture but was set in a costly frame; there were frames of every kind – Venetians, carved with heavy ornaments, like English plate of the present day; Romans, distinguishable among the others for a certain dash that artists call flafla; Spanish wreaths in bold relief; Flemings and Germans with quaint figures, tortoise-shell frames inlaid with copper and brass and mother-of-pearl and ivory; frames of ebony and boxwood in the styles of Louis Treize, Louis Quatorze, Louis Quinze, and Louis Seize – in short, it was a unique collection of the finest models. Pons, luckier than the art museums of Dresden and Vienna, possessed a frame by the famous Brustoloni – the Michael Angelo of wood-carvers.

Mlle. de Marville naturally asked for explanations of each new curiosity, and was initiated into the mysteries of art by Brunner. Her exclamations were so childish, she seemed so pleased to have the value and beauty of the paintings, carvings, or bronzes pointed out to her, that the German gradually thawed and looked quite young again, and both were led on further than they intended at this (purely accidental) first meeting.

The private view lasted for three hours. Brunner offered his arm when Cecile went downstairs. As they descended slowly and discreetly, Cecile, still talking fine art, wondered that M. Brunner should admire her cousin’s gimcracks so much.

“Do you really think that these things that we have just seen are worth a great deal of money?”

“Mademoiselle, if your cousin would sell his collection, I would give eight hundred thousand francs for it this evening, and I should not make a bad bargain. The pictures alone would fetch more than that at a public sale.”

“Since you say so, I believe it,” returned she; “the things took up so much of your attention that it must be so.”

“On! mademoiselle!” protested Brunner. “For all answer to your reproach, I will ask your mother’s permission to call, so that I may have the pleasure of seeing you again.”

“How clever she is, that ‘little girl’ of mine!” thought the Presidente, following closely upon her daughter’s heels. Aloud she said, “With the greatest pleasure, monsieur. I hope that you will come at dinner-time with our Cousin Pons. The President will be delighted to make your acquaintance. – Thank you, cousin.”

The lady squeezed Pons’ arm with deep meaning; she could not have said more if she had used the consecrated formula, “Let us swear an eternal friendship.” The glance which accompanied that “Thank you, cousin,” was a caress.

When the young lady had been put into the carriage, and the jobbed brougham had disappeared down the Rue Charlot, Brunner talked bric-a-brac to Pons, and Pons talked marriage.

“Then you see no obstacle?” said Pons.

“Oh!” said Brunner, “she is an insignificant little thing, and the mother is a trifle prim. – We shall see.”

“A handsome fortune one of these days… More than a million – ”

“Good-bye till Monday!” interrupted the millionaire. “If you should care to sell your collection of pictures, I would give you five or six hundred thousand francs – ”

“Ah!” said Pons; he had no idea that he was so rich. “But they are my great pleasure in life, and I could not bring myself to part with them. I could only sell my collection to be delivered after my death.”

“Very well. We shall see.”

“Here we have two affairs afoot!” said Pons; he was thinking only of the marriage.

Brunner shook hands and drove away in his splendid carriage. Pons watched it out of sight. He did not notice that Remonencq was smoking his pipe in the doorway.

That evening Mme. de Marville went to ask advice of her father-in-law, and found the whole Popinot family at the Camusots’ house. It was only natural that a mother who had failed to capture an eldest son should be tempted to take her little revenge; so Mme. de Marville threw out hints of the splendid marriage that her Cecile was about to make. – “Whom can Cecile be going to marry?” was the question upon all lips. And Cecile’s mother, without suspecting that she was betraying her secret, let fall words and whispered confidences, afterwards supplemented by Mme. Berthier, till gossip circulating in the bourgeois empyrean where Pons accomplished his gastronomical evolutions took something like the following form:

“Cecile de Marville is engaged to be married to a young German, a banker from philanthropic motives, for he has four millions; he is like a hero in a novel, a perfect Werther, charming and kind-hearted. He has sown his wild oats, and he is distractedly in love with Cecile; it is a case of love at first sight; and so much the more certain, since Cecile had all Pons’ paintings of Madonnas for rivals,” and so forth and so forth.

Two or three of the set came to call on the Presidente, ostensibly to congratulate, but really to find out whether or not the marvelous tale were true. For their benefit Mme. de Marville executed the following admirable variations on the theme of son-in-law which mothers may consult, as people used to refer to the Complete Letter Writer.