The Dance Off

He nabbed his jacket and tie and held them over his elbow rather than rugging up. She noticed, but said nothing, clearly considering herself off the clock.

She moved to an ancient bank of light switches and flipped the place into darkness, leaving only patches of cloud-shrouded moonlight teeming through the big arched windows, and Ryder’s gaze was once again drawn to the soaring ceilings, the dusty chandeliers, the obnoxious industrial fans, and last but not least the fantastic criss-cross of exposed beams above, the kind people paid top dollar to reproduce.

Nadia cleared her throat and motioned him out, then with a yank of the door, a bump of the hip and a kick to the skirting board, locked up behind them.

He followed her down the stairs, the green glow of the old lights creating sickly shadows on the wallpaper peeling from the walls. But from topside looking down, the way the stairs curled around the shaft was actually great design. If the lift actually worked—

Irrelevant, he thought, with a flare of irritation. In fact the place should probably be condemned.

But Ryder didn’t need a team of crack psychologists to tell him why the building continued to charm. It was just the kind of place his creative mother would have adored. Her legacy to the world was her wonderful sculptures made from things found, abandoned, forgotten, lost. Her legacy to her son was the knowledge that following your heart led only to heartache.

Pressing the memories far deeper, he redirected his gaze to the exit.

“Will I see you next week?” Nadia asked as they spilled out of the door.

“I fear you will,” said Ryder as he turned on the cracked grey footpath to face her.

A step higher than he, she swayed sensually, hypnotically, from one foot to the other, as if moving to a rhythm only she could hear. Then she tipped up onto her toes bringing her face level with his. “Sam really has you wrapped around her little finger, doesn’t she? I liked her before, but now I have a new-found respect for the woman.”

Ryder sniffed out a laugh.

Then when she moved past him, jogging lightly down the stairs, he shoved his hands in his trouser pockets to keep himself from doing anything dangerous, like finding that slice of hot skin at her hips again and using it to drag her against him. Like losing his fingers in those crazy waves. Like ravaging that smart, soft, tilting mouth till she stopped smiling at him as if she were one up on the scoreboard.

But Ryder held fast.

Because, delightful as she was, his only objective for the next few weeks was to survive until Sam’s wedding without hiding her away in the top of a large tower where no man could hurt her. Getting all twisted up with the wilful and wily dance teacher, who he was fast gathering had become his sister’s friend, would not help his cause one bit.

So instead of drowning in her dark eyes, her lush lips, all that dark sensuality so close within reach, he looked up at the building, past the big red door and up to the big sleeping windows on the third floor. “Do you know who owns this place?”

“Why?” she asked.

Because he was changing the subject.

“Something about the beams,” he said, then glanced back to find Nadia halfway down the block.

“Don’t ask me,” she said over her shoulder. “I just work here.”

Ryder watched her until she was swallowed by darkness, leaving him alone on the cracked pavement with his car, his skin cooling quickly in the night air.

* * *

Nadia fell into bed a few minutes before midnight. Literally. Standing at the end she let herself flop, fully clothed, face first onto the crumple of unmade sheets.

And the darkness behind her eyelids became a blank canvas as her memories began to play.

She could hear the creak of the stairs cutting through the song she’d been free-styling to. Could feel the disorientation of being caught out, leaving her breathless, sweaty, off kilter. Back on solid ground, wiping away the worst of her glow—men sweat, women perspire, ladies glow, her austere grandmother had always said—she’d peeked through the curtains.

Expecting a male version of Sam—tall, big grin, two left feet, handsome, sure, but slightly goofy with it—she’d been critically mistaken.

Ryder Fitzgerald was tall but that was where the similarities ended. Handsome had nothing on the guy—he was simply stunning. In that midnight suit, snowy white shirt, not a hair out of place, not a scuff on his beautiful shoes, he was big, dark, sleek, and razor-sharp. And to top it off, shimmering at the edges of all that relentless perfection was an aura of rough and raw sex appeal, as if the guy left behind an unapologetic testosterone wake.

When she’d ducked back behind the curtain her hands had been shaking. Shaking! Her breaths had shortened. Her stomach had curled tight and hot while her blood had thwacked against the walls of her veins. And all she had been able to think was, Oh, no.

With the grace of hindsight she could hardly blame herself. It had been over a year since she’d broken up with her ex after all. And if she was honest, longer again since she’d felt anything near that kind of all out, sweet, sinful, wonderful, carnal reaction to a man. For a woman whose entire life had been spent learning her body, knowing her body, celebrating her body, the fact that her body had become some sort of neutral zone had been damn near unnatural.

So much so, in her more wavery moments she’d wondered if something more than a two-year relationship had been damaged during the whole sordid mess. Even more than a bruised ego and a crumpled career.

But no, she was a Kent, and Kent women didn’t cry over broken relationships—or broken bones for that matter. They got over it. Which she had admirably, thank you very much.

And then—right when she was doing so great, when she was dancing better than she had in her entire life, when she was mere weeks away from having the chance to reclaim all that she’d given up—right then was when the old flame had to flicker back to life?

Groaning, she rolled over and pulled a pillow tight over the thumping in her chest. It didn’t help. Even with her eyes wide open she could still feel the play of muscle beneath the man’s prosaic white shirt—hard, strong, a surprise. As had been his latent heat. All she’d had to do was touch him and she’d felt it pulsing beneath his skin. The exact same heat that had thudded incessantly through her for the entire hour straight.

Let it go, she thought. The man’s immaterial. And heard her mother’s voice.

Her mother who’d taken one look at Nadia when she’d turned up on her doorstep a year before with nothing but a suitcase and a sad story...and smiled. Not because she was glad to see her only child, oh, no. Claudia Kent’s own ballet career had been ruined over a guy, and, seeing the product of that mistake in the same sorry position, she’d found herself looking down the blissful barrel of karmic payback.

Nadia gripped the pillow tighter, this time to stifle the woozy sensation in her belly.

Her mother might be completely devoid of any maternal genes, but at least Nadia had learnt early on how to cope with rejection, which for a jobbing hoofer was pure gold. One couldn’t be precious and be a dancer. It was the tough and the damned. Ethel Barrymore had once said to be a success as an actress a woman had to have the face of Venus, the brains of Minerva, the grace of Terpsichore, the memory of Macaulay, the figure of Juno, and the hide of a rhinoceros. Working dancers needed all that and to be able to do the splits on cue.

Nadia had all that going for her and more. Yet if she didn’t nail the fast-approaching chance to get her life back in a few weeks’ time, she’d have deserved that contempt as she’d made the same mistake her mother did before her.

Well, not the exact same mistake—at least Nadia hadn’t fallen pregnant.

With that wicked little kick of ascendancy fuelling her, she reached into her bedside table and found her notebook. For the next few minutes she pushed everything else from her mind and sketched out the moves she’d added to her routine that night before Ryder Fitzgerald had arrived.

In her early twenties she’d lived on natural talent, on chutzpah, and maybe even on her mother’s name. A year out of the spotlight and that momentum was gone, and every day away younger, fitter, hungrier dancers were pouring into the void, eager and ready to take her spot. But what those hungry little dancers didn’t know was that this time Nadia had an edge—she didn’t simply want their jobs; this time she really had something to prove.

Sketches done, she slumped back to the bed. She’d shower in the morning. And since she didn’t start work till two the next day, she’d have time to attend a couple of classes of her own—maybe a contemporary class in South Yarra, or trapeze in that converted warehouse in Notting Hill. Either way she’d kill it. Because look out, world, Nadia Kent was back, baby.

Despite the late hour, the last whispers of adrenalin still pulsed through her system, so she grabbed her TV remote and scrolled through the movies on her hard drive till she found what she was looking for.

The strains of Be My Baby buzzed from the dodgy speakers in her second-hand TV, and grainy black and white dancers writhed on the screen. When Patrick Swayze’s name loomed in that sexy pink font, Nadia tucked herself under her covers and sighed.

Yep, things were still on track. So long as she didn’t do anything stupid. Again.

Sliding into sleep, she couldn’t be sure if it was her mother’s voice she’d heard at the last, or her own.

TWO

“So how was it? Was it amazing? Aren’t you glad I made you go?”

Ryder pressed the phone harder to one ear to better hear Sam, and plugged a finger in his other ear to ward off the sounds of the construction site. “It was...” Excruciating. Hot. A lesson in extreme—patience. He tugged his hard hat lower over his forehead, and growled, “It was fine.”

“Told you. And how cool is the studio? And the ceilings. I knew you’d love the ceilings.”

No need to fudge the truth there. The beams were stunning. Old school. The exact kind of feature he’d once upon a time have sold his soul to study. He glanced about the modern web of metal spikes and cold concrete slabs around him, the foundations of what would in many months be a sleek, silver, skyscraping tower—as far from the slumped thick red-brick building as architecturally possible.