The Mystery of the Clasped Hands: A Novel

"No one was ever saner," Fensden replied. "Look here, Godfrey, can't you see the position for yourself? Here is this beautiful Italian girl, whom you engaged through my agency. You take her from beggary, and put her in a position of comparative luxury. She has sat to you day after day, smiled at your compliments, and – well, to put it bluntly, has had every opportunity and encouragement given her to fall head over ears in love with you. Is it quite fair, do you think, to let it go on?"

Godfrey was completely taken aback.

"Great Scott! You don't mean to say you think I'm such a beast as to encourage her?" he cried. "You know as well as I do that I have behaved toward her only as I have done to all the other models before her. Surely you would wish me to be civil to the girl, and try to make her work as pleasant as possible for her? If you think I've been a blackguard, say so outright!"

"My dear Godfrey, nothing could be further from my thoughts," answered Fensden in his usual quiet voice, that one of his friends once compared to the purring of a cat. "I should be a poor friend, however, if I were to allow you to go on as you are going without an expostulation. Can not you look at it in the same light as I do? Are you so blind that you can not see that this girl is falling every day more deeply in love with you? The love-light gleams in her eyes whenever she looks at you; she sees an implied caress even in the gentle pats you give her drapery, when you arrange it on the stage there; a tender solicitude for her welfare when you tell her to hurry home before it rains. What is the end of it all to be? I suppose you do not intend making her your wife?"

"My wife?" said Godfrey, blankly, as if the idea were too preposterous to have ever occurred to him. "Surely you must be jesting to talk like this?"

"I am not jesting with you, if you are not jesting with her," the other replied. "You must see for yourself that the girl worships the very ground you walk upon. However, there is still time for matters to be put right. She has so far only looked at the affair from her own standpoint; what is more, I do not want her to lose her employment with you, since it means so much to her. What I do want is, that you should take hold of yourself in time and prevent her from being made unhappy while you have the opportunity."

"You may be quite sure that I will do so," Henderson replied, more stiffly than he had yet spoken. "I am more sorry than I can say that this should have occurred. Teresina is a good girl, and I would no more think of causing her pain than I would of striking my own sister. And now I'm off to bed. Good-night."

True to his promise, his behaviour next day, so far as Teresina was concerned, was so different that she regarded him with surprise, quite unable to understand the reason of the change. She thought she must have offended him in some way, and endeavoured by all the means in her power to win herself back into his good graces. But the more she tried to conciliate him, the further he withdrew into his shell. Victor Fensden, smoking his inevitable cigarette, waited to see what the result would be. There was a certain amount of pathos in the situation, and a close observer might have noticed that the strain was telling upon both of the actors in it, the girl in particular. For the next fortnight or so, the moral temperature of the studio was not as equable as of old. Godfrey, who was of too honest a nature to make a good conspirator, chafed at the part he was being called upon to play, while Teresina, who only knew that she loved, and that her love was not returned, was divided between her affections for the man and a feeling of wounded dignity for herself.

"I wish to goodness I could raise sufficient money to get out of London for six months," said Godfrey, one evening, as they sat together in the studio. "I'd be off like a shot."

Fensden knew why he said this.

"I am sorry I can't help you," he replied. "I am about as badly off as yourself. But surely the great picture sold well?"

"Very well; for me, that is to say," Godfrey replied. "But I had to part with most of it next day."

He did not add that he had sent most of it to his widowed sister, who was very badly off and wanted help to send her boy to college.

A short silence followed; then Fensden said: "If you had money what would you do?"

"Go abroad," said Godfrey quickly. "The strain of this business is more than I can stand. If I had a few hundreds to spare we'd go together and not come back for six months. By that time everything would have settled down to its old normal condition."

How little did he guess that the very thing that seemed so impossible was destined to come to pass!

CHAPTER II

One morning a week or so after the conversation described at the end of the previous chapter, Godfrey Henderson found lying on the table in the studio a long, blue envelope, the writing upon which was of a neat and legal character. He did not own a halfpenny in the world, so what this could mean he was not able to imagine. Animated by a feeling of curiosity he opened the envelope and withdrew the contents. He read the letter through the first time without altogether realizing its meaning; then, with a vague feeling of surprise, he read it again. He had just finished his second perusal of it when Fensden entered the room. He glanced at Godfrey's face, and said, as if in inquiry:

"Anything the matter? You look scared!"

"A most extraordinary thing," returned Godfrey. "You have heard me talk of old Henderson of Detwich?"

"Your father's brother? The old chap who sends you a brace of grouse every season, and asks when you are going to give up being a starving painter and turn your attention to business? What of him?"

"He is dead and buried," answered Godfrey. "This letter is from his lawyer to say that I am his heir, in other words that Detwich passes to me, with fifteen thousand a year on which to keep it up, and that they are awaiting my instructions."

There was a pause which lasted for upward of a quarter of a minute. Then Fensden held out his hand.

"My dear fellow, I am sure I congratulate you most heartily," he said. "I wish you luck with all my heart. The struggling days are over now. For the future you will be able to follow your art as you please. You will also be able to patronize those who are not quite so fortunate. Fifteen thousand a year and a big country place! Whatever will you do with yourself?"

"That is for the Future to decide," Godfrey replied.

That afternoon he paid a visit to the office of the firm of solicitors who had written to him. They corroborated the news contained in their letter, and were both assiduous in their attentions and sincere in their desire to serve him.

Four days later it was arranged that Godfrey and Fensden should start for the Continent. Before doing so, however, the former purchased a neat little gold watch and chain which he presented to Teresina, accompanied by a cheque equivalent to six months' salary, calculated at the rate she had been receiving.

"Don't forget me, Teresina," he said, as he looked round the now dismantled studio. "Let me know how you get on, and remember if ever you want a friend I shall be only too glad to serve you."

At that moment Fensden hailed him from the cab outside, bidding him hurry, or he feared they would miss their train. Godfrey accordingly held out his hand.

"Good-bye," he said, and though he would have given worlds to have prevented it, a lump rose in his throat as he said it, and his voice was so shaky that he felt sure she must notice it.

Then, bidding her give the key to the landlord when she left the studio, he went out into the street, and jumped into a cab, which next moment started off for the station. How was he to know that Teresina was lying in a dead faint upon the studio floor?

When they left England for the Continent Godfrey had only the vaguest notion of what they were going to do after they left Paris. Having spent a fortnight in the French capital they journeyed on to Switzerland, put in a month at Lucerne, three weeks in Rome, and found themselves, in the middle of November, at Luxor, looking upon the rolling waters of the Nile. Their sketch books were surfeited with impressions, and they themselves were filled with a great content. They had both visited the Continent on numerous occasions before, but this was the first time that they had made the acquaintance of the "Land of the Pharaohs." Godfrey was delighted with everything he saw, and already he had the ideas for a dozen new pictures in his head.

"I had no notion that any sunset could be so gorgeous," he said one day, when they sat together watching the ball of fire descend to his rest on the western horizon of the desert. "The colours have not yet been discovered that could possibly do it justice. For the future I shall come out here every year."

"Don't be too sure, my friend," said Fensden. "There was a time when such a thing might have been possible, but circumstances have changed with you. You are no longer the erratic Bohemian artist, remember, but a man with a stake in the country, and a county magnate."

"But what has the county magnate to do with the question at issue?" Godfrey inquired.

"Everything in the world," retorted his companion. "In virtue of your new position you will have to marry. The future Mrs. Henderson, in all probability, will also have a stake in the country. She will have great ideas, moreover, connected with what she will term the improvement of the land, and, beyond a trip to the Italian lakes at long intervals, will not permit you to leave the country of her forefathers."

"What a strange fellow you are, to be sure!" replied Godfrey. "To hear you talk one would think that the possession of money – and, by Jove, it's a very decent thing to have when you come to consider it – must necessarily relegate a man to the region of the commonplace. Why shouldn't I marry a girl who is fond of travelling?"

"Because, as a rule, Fate ordains otherwise," Fensden replied. "I think I can describe the sort of girl you will marry."

"Then do so, by all means," said Godfrey, "I'll smoke another cigar while you are arranging it."

"In the first place she will be tall. Your idea of the ludicrous would not let you marry a small woman. She will have large hands and feet, and the latter will be heavily shod. That is how in London I always pick out the girls who live in the country. She will be handsome rather than pretty, for the reason that your taste lies in that direction. She will not flirt, because she will be in love with you. She will be an admirable housewife of the solid order, and while I should be prepared to trust to her judgment in the matter of dogs and horses, roots, crops, and the dairy farm, finer susceptibilities she will have none. Do you like the picture?"

"Scarcely," said Henderson; "and yet, when all is said and done a man might do worse."

There was a pause, during which each man knew what the other was thinking about. Godfrey was recalling Teresina's beautiful face, and Fensden knew that he was doing so.

"By the way," said Fensden, very quietly, "I noticed this morning that you received a letter bearing an Italian post-mark. Would it be indiscreet if I inquired your correspondent's name?"

"I don't see why there should be any mystery about it," Henderson replied. "It was from Teresina."

"From Teresina?" said the other, with a look of surprise.

"Yes, from Teresina," his friend answered. "I made her promise before we left home that should she leave England she would let me have her address, and, if she were in need of anything, she would communicate with me. You can see the letter if you like. Here it is."

He took the letter in question from his pocket and handed it to his companion. It consisted of only a few lines and gave the writer's address with the hope that the time might soon come when she would again be allowed to sit to "her kind patron."

Victor, having perused it, handed it back to Godfrey, who replaced it in his pocket without a word.

Two days later they returned by steamer to Cairo, where they took up their abode at the Mena House Hotel. Godfrey preferred it, because it was some distance from the dust of the city, and Fensden because he averred that the sneer on the face of the Sphinx soothed him more than all the luxuries of Cairo. As it was, he sat in the veranda of the hotel and made impressionist sketches of dragomen, camels, and the backsheesh-begging Bedouins of the Pyramids. Godfrey found it impossible to work.

"I am absorbing ideas," he said. "The work will come later on."